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Note: Some features in the Windows version of Adobe Audition
3.0 are not available in CS5.5. Examples include some file formats
and effects, CD burning, MIDI, the metronome, clip grouping and
time stretching, and control surface support. For a complete list,
see Adobe Audition 3.0 features replaced or not
implemented in CS5.5.
Save audio filesIn the Waveform Editor, you can
save audio files in a variety of common formats. The format you
choose depends on how you plan to use the file. (See Audio format settings.) Keep in mind that each format stores unique information
that might be discarded if you save a file in a different format.
- In the Waveform Editor, do one of the following:
To save changes in the current file, choose
File > Save.
To save changes under a different filename, choose
File > Save As. Or choose File > Export > File
to keep the current file open.
To
save currently selected audio as a new file, choose File >
Save Selection As.
To save all open files in their current formats,
choose File > Save All.
 Use the Save Selection As command to break
up a long recording into smaller, more manageable files.
- Specify a filename and location, and choose a file format.
- Set the following options:
- Sample Type
- Indicates the sample rate and bit depth. To adjust these
options, click Change. (See Convert the sample rate of a file.)
- Format Settings
- Indicates data compression and storage modes; to adjust these,
click Change. (See Audio format settings.)
- Include Markers and Other Metadata
- Includes audio markers and information from the Metadata
panel in saved files. (See Working with markers and Viewing and editing XMP metadata.)
Note: Some CD‑burning
applications misinterpret non‑audio information such as markers
and metadata, producing an unpleasant burst of noise at the beginning
of each track.
Extract audio channels to mono filesIf you want to edit
or output individual channels of a stereo or surround-sound file,
extract them to mono files. Adobe Audition appends the channel name
to each extracted filename. For example, a stereo source file named
Jazz.aif produces mono files named Jazz_L and Jazz_R.
In the Waveform Editor, choose Edit >
Extract Channels To Mono Files.
Audition automatically opens each extracted file in the
Editor panel.
Save multitrack sessionsA multitrack session file is
a small, non-audio file. It merely stores information about locations
of related audio files on your hard drive, the duration of each audio
file within the session, the envelopes and effects applied to various
tracks, and so forth. You can reopen a saved session file later
to make further changes to the mix.
If you create multitrack
mixes entirely in Adobe Audition, save session files in the native
SESX format. If you plan to share multitrack compositions with other
applications, however, see Export sessions to OMF or Final Cut Pro Interchange format.
- In the Multitrack Editor, do one of the following:
To save changes to the current session
file, choose File > Save
To save changes under a different filename, choose
File > Save As. Or choose File > Export > Session
to keep the current session open.
To save the session file and all the audio files
it contains, choose File > Save All .
- Specify a filename and location.
- To include audio markers and information from the Metadata
panel, select Include Markers And Other Metadata.
Export sessions to OMF or Final Cut Pro Interchange formatTo transfer complete mixes to other applications in your
workflow, export to OMF or Final Cut Pro Interchange format. OMF
was originally created for Avid Pro Tools, but now is a common multitrack
exchange format for many audio mixing applications. Final Cut Pro
Interchange format is based on human-readable XML files, which you
can edit offline to revise text references, effect settings, and
so on.
Export to OMFIn the Multitrack
Editor, choose File > Export > OMF.
Specify a filename and location.
Set the following options:
- Sample Type
- Click Change to access the Convert Sample Type dialog box. (See Converting sample types.)
- OMF Settings
- Click Change to access the following:
- Media
- Encapsulated stores audio clips in the OMF file itself for
easier organization. Referenced stores audio clips in the same folder
as the OMF file, letting you edit them offline if necessary.
Note: Encapsulated
OMF files are limited to 2 GB in size.
- Media Options
- Determines whether clip source files are trimmed to clip length
in the Editor panel or reflect the entire original file.
- Handle Duration
- For trimmed clips, specifies the time duration to include beyond
clip edges. Including additional audio provides more flexibility
for fades and editing.
The
Warnings section indicates elements of the session that will be
excluded or changed. To copy this information to clipboard, click
the Copy Warnings button .
Export to Final Cut Pro Interchange formatIn the Multitrack Editor, choose File > Export > FCP
XML Interchange Format.
Specify a filename and location.
To include audio markers and information from the Metadata
panel, select Include Markers And Other Metadata.
The
following session elements are excluded from the exported file:
The second channel of stereo clips. (All clips and tracks
become mono.)
Overlapping clips
Effects and track EQ.
Automation envelopes other than clip volume and mono-to-stereo
track panning.
Output routing, sends, buses, and the Master track.
Export multitrack mixdown filesAfter you finish mixing a session, you can
export all or part of it in a variety of common formats. (See Audio file formats.) When you export, the resulting file reflects
current volume, pan, and effects settings routed to the Master track.
- If you want to export part of a session, use the
Time Selection tool
to select
the desired range.
- Choose File > Export > Multitrack Mixdown.
(Alternatively, choose Multitrack > Mixdown
To New File to open the mixdown in the Waveform Editor and skip
the steps below.)
- Specify a filename and location, and choose a file format.
- Set the following options:
- Sample Type
- Indicates the sample rate and bit depth. To adjust these
options, click Change. (See Convert the sample rate of a file.)
- Format Settings
- Indicates data compression and storage modes; to adjust these,
click Change. (See Audio format settings.)
- Include Markers and Other Metadata
- Includes audio markers and information from the Metadata
panel in saved files. (See Working with markers and Viewing and editing XMP metadata.)
Audio format settingsIn most cases, you should save uncompressed
audio to the AIFF or WAV formats. Save to the compressed mp3 format
only when creating files for the web or portable media players.
In
a Save As or Export dialog box, click Change to the right of Format
Settings to access the options below.
 To
see the effect of settings changes, note the Estimated File Size
at the bottom of the dialog box.
AIFF format settings (*aif, *.aiff, *.aifc)AIFF
is the standard uncompressed audio file format on Mac OS.
- Sample Type (available only for 32-bit files)
- Sets the
audio bit depth. Higher bit depths provide more dynamic range and
reduce distortion, though they increase file size and processing
time. To determine the proper setting for common output types, see Understanding bit depth.
Integer settings clip audio that extends
beyond the amplitude range for a given bit depth. Floating Point
settings require slightly more storage space, but retain much greater
dynamic range.
Choose 32-bit Floating Point if you want to
repeatedly process the file and discard minimal amplitude data.
- Byte Order (available only for 16-bit files)
- Specifies the numerical sequence for bytes of data. Choose
the Little-Endian method for systems with Intel processors and the
Big-Endian method for systems with PowerPC processors.
mp3 format settingsmp3 is the standard compressed audio format
across platforms.
- Type
- Choose Constant to apply a consistent bitrate or Variable
to change the bitrate based on audio content.
- Bitrate (for constant bitrates) or Quality (for variable)
- Adjusts the tradeoff between file size and audio quality.
Higher settings increase size and quality; lower settings reduce
size and quality.
 Avoid
compressing the same audio to mp3 more than once. Opening and resaving
an mp3 file causes it to be recompressed, so any artifacts from
the compressing process become more pronounced.
QuickTime format settings (audio-only *.mov)You cannot adjust format settings for audio-only
QuickTime files, which are always saved as uncompressed PCM (Pulse
Code Modulation) data.
Wave PCM format settings (.wav, .bwf)Wave PCM is the standard uncompressed audio
format on Windows.
- Sample Type
(available only for 32-bit files)
- Sets the
audio bit depth. Higher bit depths provide more dynamic range and
reduce distortion, though they increase file size and processing
time. To determine the proper setting for common output types, see Understanding bit depth.
Integer settings clip audio that extends
beyond the amplitude range for a given bit depth. Floating Point
settings require slightly more storage space, but retain much greater
dynamic range.
Note: The nonstandard 16.8 and 24.0 Floating Point
options are provided for compatibility with previous versions of
Adobe Audition. (16.8 was the internal format used by Audition 1.0.
24.0 was an optional setting from the same version.)
- 4GB Plus Support
- Stores files larger than 4GB using either RF64 format, which reflects
the current European Broadcasting Union standard, or the Multiple
Data Chunks format supported by previous versions of Audition.
Note: To
ensure compatibility with a wide range of applications, choose the
RF64 format for files greater than 4GB.
Close files Do any of the following:To close the current file in the Editor
panel, choose File > Close.
To close all open audio, video, and session files,
choose File > Close All.
To close files that aren’t referenced by an open
multitrack session, choose File > Close Unused Media.
To close the current session and related audio clips
in the Multitrack Editor, choose File > Close Session
and Its Media.
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