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Importing XML project files from Final Cut Pro
You can import entire projects, selected
clips, or selected sequences that you export from Final Cut Pro
as XML files. In Adobe Premiere Pro, bins and
clips have the same hierarchies and names that they have in the
Final Cut Pro source projects. Also, Adobe Premiere Pro
retains the sequence markers, sequence settings, track layout, locked
tracks, and sequence timecode start points of Final Cut Pro
source projects. Adobe Premiere Pro imports text
from the Final Cut Pro Text generators into Adobe Premiere Pro
titles. Note: You can not import native Final Cut Pro
project files, only XML files exported from Final Cut Pro.
Also, you can not export Final Cut Pro XML files
from Adobe Premiere Pro.
Import an XML file from Final Cut Pro- Export an XML file from Final Cut Pro.
For more information, see Final Cut Pro Help.
- In Final Cut Pro, close the source
project.
- In Adobe Premiere Pro, select File >Import.
- Browse to the XML file, and click Open.
Final Cut Pro clip dataClip
data in the Description, Scene, ShotTake, and LogNote fields in
Final Cut Pro appear in the clip metadata fields
with the same names in Adobe Premiere Pro. Data
logged into the Reel field in Final Cut Pro appears
in the Tape Name field in Adobe Premiere Pro.
Final Cut Pro effects and transitionsAdobe Premiere Pro
retains the basic motion and opacity effects, and motion and opacity
keyframes, from Final Cut Pro source projects.
Additionally, Adobe Premiere Pro converts some
Final Cut Pro effects and transitions according
to the following tables:
Conversion of Final Cut Pro video effectsFinal Cut Pro effect
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Adobe Premiere Pro effect
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Crop
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Crop
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Eight-Point Garbage Matte
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Eight-Point Garbage Matte
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Four-Point Garbage Matte
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Four-Point Garbage Matte
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Gaussian Blur (provided the channel selection
in Final Cut Pro is Alpha+RGB.)
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Gaussian Blur
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Luma Key
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Luma Key
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Three-Way Color Corrector
|
Three-Way Color Corrector
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Conversion of Final Cut Pro video transitionsFinal Cut Pro transition
|
Adobe Premiere Pro transition
|
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Dip To White
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Dip To White
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Dip to [color]
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Dip To Black
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Edge Wipe transitions
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Wipe, with the wipe direction rounded to the
closest of the eight Adobe Premiere Pro supported
directions.
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Other video transitions
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Cross Dissolve
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Conversion of Final Cut Pro audio effectsFinal Cut Pro audio effect
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Adobe Premiere Pro audio
effect
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Audio gain values and keyframes
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Audio clip volume values and keyframes
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Audio pan values and keyframes
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Track pan values and keyframes
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Low Pass Filter
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Lowpass
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High Pass Filter
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Highpass
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Band Pass Filter
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Bandpass
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Conversion of Final Cut Pro audio transitionsFinal Cut Pro audio transition
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Adobe Premiere Pro audio
transition
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Cross Fade (0 dB)
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Constant Gain
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Cross Fade (+3 dB)
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Constant Power
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Other transitions
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Constant Power
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Final Cut Pro composite modesAdobe Premiere Pro
retains the basic motion and opacity effects, and motion and opacity
keyframes, from Final Cut Pro source projects.
Adobe Premiere Pro converts Final Cut Pro
composite modes according to the following table:
Final Cut Pro mode
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Adobe Premiere Pro mode
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Normal
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Normal
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Add
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Linear Dodge (Add)
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Subtract
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Not supported
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Difference
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Difference
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Multiply
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Multiply
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Screen
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Screen
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Overlay
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Overlay
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Hard Light
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Hard Light
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Soft Light
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Soft Light
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Darken
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Darken
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Lighten
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Lighten
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Travel Matte Alpha
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Not supported
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Travel Matte Luma
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Not supported
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Final Cut Pro MulticlipsAdobe Premiere Pro
converts uncollapsed Final Cut Pro Multiclips,
with as many as four inputs, to Multi-camera sequences. Adobe Premiere Pro
converts collapsed Multiclips to individual clips.
Note: Adobe Premiere Pro
issues a warning when you try to import a Multiclip with more than
four inputs.
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