Frame rate



The composition frame rate determines the number of frames displayed per second, and how time is divided into frames in the time ruler and time display. In other words, the composition frame rate specifies how many times per second images are sampled from the source footage items, and it specifies the time divisions at which keyframes can be set.

Composition frame rate is usually determined by the type of output that you are targeting. NTSC video has a frame rate of 29.97 frames per second (fps), PAL video has a frame rate of 25 fps, and motion picture film typically has a frame rate of 24 fps. Depending on the broadcast system, DVD video can have the same frame rate as NTSC video or PAL video, or a frame rate of 23.976. Cartoons and video intended for CD-ROM or the web are often 10–15 fps.

Setting the composition frame rate to twice the rate of the output format causes After Effects to display each field of interlaced source footage as its own, separate frame in the Composition panel. This process lets you set keyframes on individual fields and gain precision when animating masks.

When you render a movie for final output, you can choose to use the composition frame rate or another frame rate. The ability to set the frame rate for each output module is useful when you are using the same composition to create output for multiple media.

Each motion-footage item in a composition can also have its own frame rate. The relationship between the footage-item frame rate and the composition frame rate determines how smoothly the layer plays. For example, if the footage-item frame rate is 30 fps and the composition frame rate is 30 fps, then whenever the composition advances one frame, the next frame from the footage item is displayed. If the footage-item frame rate is 15 fps and the composition frame rate is 30 fps, then each frame of the footage item appears in two successive frames of the composition. (This assumes, of course, the simple case in which no time stretching or frame blending has been applied to the layer.)

Ideally, use source footage that matches the final output frame rate. This way, After Effects renders each frame, and the final output does not omit, duplicate, or interpolate frames. If, however, the source footage has a frame rate slightly different from what you want to output to (for example, 30-fps footage and 29.97-fps final output), you can make the footage frame rate match the composition frame rate by conforming it.

Conforming the frame rate of a footage item does not alter the original file, only the reference that After Effects uses. When conforming, After Effects changes the internal duration of frames but not the frame content. Afterward, the footage plays back at a different speed. For example, if you conform the frame rate from 15 fps to 30 fps, the footage plays back twice as fast. In most cases, conform the frame rate only when the difference between the footage frame rate and the output frame rate is small.

Note: Conforming can change the synchronization of visual footage that has an audio track, because changing the frame rate changes the duration of the video but leaves the audio unchanged. If you want to stretch both audio and video, use the Time Stretch command. (See Time-stretch a layer.) Keyframes applied to the source footage remain at their original locations (which retains their synchronization within the composition but not the visual content of the layer). You may need to adjust keyframe locations after conforming a footage item.

You can change the frame rate for any movie or sequence of still images. For example, you can import a sequence of ten still images and specify a frame rate for that footage item of 5 frames per second (fps); this sequence would then have a duration of two seconds when used in a composition.

Lower frame rates tend to give the impression of unreality, so many people prefer to work at a lower frame rate such as 24 frames per second for creative work instead of working at the 29.97 frames per second that is standard for NTSC video.

Note: If you remove 3:2 pulldown from interlaced video footage, After Effects automatically sets the frame rate of the resulting footage item to four-fifths of the original frame rate. When removing 3:2 pulldown from NTSC video, the resulting frame rate is 24 fps.

The frame rate of the composition should match the frame rate of the final output format. In most cases, you can simply choose a composition settings preset. In contrast, set the frame rate for each footage item to the frame rate of the original source footage.

Trish and Chris Meyer provide tips and tricks regarding conforming footage items to a specific frame rate in an article (PDF) on Artbeats website.

Trish and Chris Meyer provide links to technical reference materials about frame rates and other details of digital video on the ProVideo Coalition website.

Change frame rate for a footage item

  1. Select the footage item in the Project panel.
  2. Choose File > Interpret Footage > Main.
  3. Select Conform To Frame Rate, enter a new frame rate for Frames Per Second, and then click OK.
Instead of using Interpret Footage to change a footage item’s frame rate, you can time-stretch a layer based on the footage item. For example, time-stretch a layer by 100.1% to convert between 30fps and 29.97fps. Time-stretching modifies the speed of audio as well as video. (See Time-stretch a layer.)

Change frame rate for a composition

  1. Choose Composition > Composition Settings.
  2. Do one of the following:

    • Choose a composition settings preset from the Preset menu.

    • Set the Frame Rate value.

Note: Jeff Almasol provides a script on is redefinery website to set the frame rate and duration of the current composition and all compositions nested within it.