Importing AAF and OMF files (Windows only)
AAF (Advanced Authoring
Format) is a multimedia file interchange format that contains all
of the editing decisions of a project from a non-linear editor (NLE). Using
AAF, you can exchange NLE projects between platforms, systems, and applications.
AAF files do not contain media, such as video and audio; rather,
they contain editing decisions and links to media.
OMF (Open Media Framework) is an extensible, object-oriented
format that provides a means of tracking production and post-production
information. Unlike AAF files, OMF files can contain media as well
as project information. An AAF file may link to an associated OMF
file as a media source. When you import an AAF file that references
an OMF file, the OMF footage is also imported. After Effects imports
only raw (essence) OMF files, which are OMF files that have embedded
media and no project information. After Effects doesn’t import OMF project
files.
You can use an application such as Automatic Duck to import OMF
project files on Windows or Mac OS.
The following OMF codecs are supported for importing and outputting
to OMF: Uncompressed, Avid AVR, Avid JPEG, JFIF, and DV.
The OMF file format supports video only. Avid editing systems
store audio files as separate .wav files, which you can import into
After Effects if desired. Depending on the resolution and codec,
each frame may be composed of a full noninterlaced frame, two interlaced
fields, or a single line-doubled field (for single-field media).
The codec used to encode the media is displayed in the footage information
area in the Project panel.
To ensure that the project to import conforms to general AAF
specifications and is compatible with After Effects, consider the
following:
- Platform-specific footage references
- Footage references are saved with platform-specific paths
and filenames in the AAF file.
- Separate video and audio tracks
- An AAF file can have separate clips for audio and video.
When the AAF file is imported into After Effects, each clip is converted into
a layer. For an audio clip, only the audio switch is enabled for
the layer. For a video clip, only the video switch is enabled for
the layer.
- Clips on the same track
- Clips that appear on the same track in Avid appear as separate
layers in After Effects.
- Depth order of video and audio tracks
- During AAF import, video tracks are processed before audio
tracks. Therefore, converted audio layers appear above video layers
in the After Effects Timeline panel.
- Different image dimensions and pixel aspect ratios
- When an Avid editing system imports footage, it is scaled
to the dimensions of the project regardless of the original dimensions
of the footage. When the AAF file is imported into After Effects,
footage appears with its original dimensions and pixel aspect ratio,
which may be different from the dimensions of the project. You can
use the Interpret Footage command in After Effects to make pixel
aspect ratio adjustments.
- Missing media
- Referenced media that is not accessible during the import operation
appears as placeholder footage in After Effects.
- Empty sequences
- If a sequence contains no tracks, the composition created when
it is imported is set at DV resolution (720x480; 0.9 pixel aspect
ratio) with a length of 10 seconds.
- Cuts-only video and audio clips
- Supported.
- Audio
- Audio gain (level) changes are supported, but audio pan is
not. Mono and stereo audio are supported; 5.1 audio is not supported.
Separate audio channel tracks (even if out of synchronization) are
imported into After Effects as a single audio layer.
- Clip Speed
- Clips with a Motion Effect are converted to the corresponding
layer Stretch value (for slow or fast motion) or layer Time Remap
keyframes (for reverse motion).
- Empty tracks
- Ignored.
- Muted tracks
- Avid does not save muted track information in an exported
AAF file, so muted tracks cannot be preserved in After Effects.
- Locators
- Ignored.
- Composition size and pixel aspect ratio
- Created based on the StoredWidth and StoredHeight values
for the first media file in the first sequence found.